Reginald Eldridge, Jr is a multidisciplinary artist, writer and educator. A graduate of the University of South Florida’s graduate program in Africana Studies, where he focused on literature and critical theory, Eldridge has engaged widely on the role of the arts in constructing identity, and seeks to contribute to contemporary discussions in performance, history, race, ontology and myth.
A 2017 Kimbilio Fiction Fellow, his work has appeared in Catapult, Vinyl, Apogee Journal, AFROPUNK, Obsidian, Puerto Del Sol, wildness and others. He is a contributing essayist to The Whiskey of our Discontent: Gwendolyn Brooks as Conscience and Change Agent (2017 Haymarket Books) edited by Quraysh Ali Lansana and Georgia A. Popoff. His photography, visual and performance work has been exhibited at the Logan Center, Chicago Art Department, Joan Mitchell Foundation, Galeria Bianconi and others.
His teaching experience includes instructor and teaching artist roles with the University of South Florida, Young Chicago Authors, and Art Institute of Chicago, among other places. He lives in New York.
“Joan Mitchell Is Having More Than a Moment. Here’s How the Artist’s Foundation Has Championed Her Market and Legacy” Artnet News. October 4, 2018.